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GROUNDING | ATERRO

Portrait | Digital Photograph | Variable Dimensions | Edition of 5 + 2PA | 2021

The earth is a living ecosystem that contains memories from a non-human point of view. There  are layers and layers of time that not only accumulate, but coexist in a state of continuous transformation. Its mineral and organic richness, its consistency, crust, hardness, texture, color, smell and temperature form a composition of elements that are fundamental for the permanence and continuity of life. In this series of images, the focus centres around the process of grounding provoked by the experience of mothering and on the gesture of sustaining and be sustained. What we see are two creatures – mother and child – mutually co-creating each other through an energetic relationship of surrender and care.

DISSOLUTIONS | DISSOLUÇÕES

Portrait | Digital Photograph | Variable Dimensions | Edition of 5 + 2PA | 2021

Dissolutions is a series created during a period in the Canary Islands, Spain. In it, the artist's body comes into contact with the earth, plants and stones of the place with the intention of dissolving in the landscape: planting her feet on the earth; stretch out next to a log; drive stakes between the fingers; support thin branches; take root. A dialogue that does not aim for words, but that is born from the sensitive experience of co-inhabiting and co-creating with other beings and entities, whose intelligence and memory are present in their vibrant materiality.

CHANNELING | CANALIZAÇÃO

Portrait | Digital Photograph | Variable Dimensions | Edition of 5 + 2PA | 2016

For forty minutes I manipulated a lantern very close to my eyes, allowing this intense ray of light to completely cover my left eye and then my right until I was completely transported to a state of white blindness, illuminated. In contrast, my body (together with the other bodies that observed me), occupied a place in darkness. On tiptoes, taking slow steps, I avoided any paralysis, making a inaccurate and invisible walk towards this blind spot. Between falling, rising and walking I was consumed by this luminous force that established itself between myself and this object-lantern until exhaustion'

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TRANSFIGURATION | TRANSFIGURAÇÃO

Portrait | Digital Photograph | Variable Dimensions | Edition of 5 + 2PA | 2018

I completely cover my face with my own placenta, transforming it into a kind of ritualistic mask. Since the placenta is a temporary organ that has the function of sheltering the fetus during pregnancy, it represents an important link between the body and motherhood. Inspired by the rituals of several African and Indigenous peoples, this image incorporates in an action an ancestral gesture of female empowerment.

BLIND SPOT | PONTO CEGO

Portrait | Digital Photograph | Variable Dimensions – Diptych | Edition of 5 + 2PA | 2016

For forty minutes I manipulated a lantern very close to my eyes, allowing this intense ray of light to completely cover my left eye and then my right until I was completely transported to a state of white blindness, illuminated. In contrast, my body (together with the other bodies that observed me), occupied a place in darkness. On tiptoes, taking slow steps, I avoided any paralysis, making a inaccurate and invisible walk towards this blind spot. Between falling, rising and walking I was consumed by this luminous force that established itself between myself and this object-lantern until exhaustion'

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OBLIVION | ESQUECIMENTO

Portrait | Digital Photograph printed on Cotton Paper (Matte) | Dimension: 22.5 x 30 cm each - 6 Pieces | Edition of 5 + 2PA | 2013

Oblivion is a self-portrait composed of a series of six photographs. A work done in that period, in which, I participated in the artistic residency 'Proyectos Clandestinos', in Buenos Aires, Argentina. As a starting point: an immense desire to investigate the multiple relationships between visible and invisible affects, the intimacy of my body with plants, the solitude of a cold and impersonal apartment and memory. For three weeks, I portrayed the process of germinating black bean seeds inside a book, entitled 'Autobiografías de la Tierra', which I bought in a local tallow shop. A premeditated gesture by the decision to produce a sensitive and ephemeral object, destined to disappear. In these images, what remains are the fragments of an almost ethereal organic matter, which gradually seeps out of the contours, becoming completely diluted in what we conceive as the Whole. Or, transcending individual existence. 

 

* Creole seeds were generously donated by an activist organisation that for political reasons needs to remain anonymous.

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